{"id":12715,"date":"2018-01-23T11:09:37","date_gmt":"2018-01-23T11:09:37","guid":{"rendered":"http:\/\/cultureheist.com.au\/?p=12715"},"modified":"2018-01-23T11:45:09","modified_gmt":"2018-01-23T11:45:09","slug":"planning-minister-in-spotlight-over-sydney-modern","status":"publish","type":"post","link":"https:\/\/www.cultureheist.com.au\/wordpress\/2018\/01\/23\/planning-minister-in-spotlight-over-sydney-modern\/","title":{"rendered":"Planning Minister in spotlight over Sydney Modern"},"content":{"rendered":"<p>NSW Planning Minister Anthony Roberts is caught in the spotlight over the mysterious process to provide approval for the $344 million Sydney Modern Project.<\/p>\n<p>Roberts, a spear carrier for the Liberal Party\u2019s right-wing faction, will be the sole arbiter of whether the Development Application (DA) is approved or not. There appears to be no plan to refer the DA to the Planning and Assessment Commission (PAC).<\/p>\n<p>So what will he do with the avalanche of objections to the Sydney Modern DA, reported <a href=\"http:\/\/cultureheist.com.au\/2018\/01\/14\/sydney-modern-project-placed-under-review\/\"><strong>here<\/strong> <\/a>on 14 January? Roberts is a veteran deal-maker for the NSW division of the Liberal Party and a long-time loyalist of John Howard and 2GB broadcaster Alan Jones.<\/p>\n<p>When the submissions were first made public I took at face value the following assertion on the Department of Planning website: \u201c\u2026if an SSD proposal is not supported by the relevant local council(s), <strong>or the Department has received more than 25 public objections <\/strong>[my emphasis], the Department\u2019s recommendation is referred to the independent Planning and Assessment Commission (PAC) for determination.\u201d<\/p>\n<p>With objections from the public standing at 178, and only 63 submissions supporting the DA, it seemed as though an independent review was inevitable. Now that is in serious doubt. The AGNSW is busy framing its response which will then go for review by a minister who has no experience of the museum sector and the complex issues at stake \u2013 issues which objectors with great professional expertise have spent many hours documenting. (Readers who haven\u2019t yet read them can find them on previous blogs.)<\/p>\n<div id=\"attachment_12717\" style=\"width: 1210px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-12717\" loading=\"lazy\" class=\"size-full wp-image-12717\" src=\"http:\/\/cultureheist.com.au\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax.jpg\" alt=\"\" width=\"1200\" height=\"674\" srcset=\"https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-200x112.jpg 200w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-300x169.jpg 300w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-400x225.jpg 400w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-600x337.jpg 600w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-768x431.jpg 768w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-800x449.jpg 800w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax-1024x575.jpg 1024w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/r0_638_6240_4146_w1200_h678_fmax.jpg 1200w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-12717\" class=\"wp-caption-text\">Arts Minister Don Harwin, right, with David Gonski<\/p><\/div>\n<p>Under Premier Gladys Berejiklian and her predecessor Mike Baird, it\u2019s been open slather for developers in NSW. There appears to be very little \u201cplan\u201d in Planning, and certainly there is no cultural plan. Minister Roberts has a track record of facilitating developers\u2019 projects and working closely with the big end of town, which happens to be well represented on the board of the AGNSW. His Cabinet colleague, Arts Minister Don Harwin, has already pronounced in favour of Sydney Modern but has refused to release the business plan which is central to any decision on its future, or to say how its operating costs would be met.<\/p>\n<p>Both Roberts (hard right) and Harwin (soft right) are major fundraisers for the Liberal Party. How this affects their decision-making is one of the unknowns in the State\u2019s nexus of power and money.<\/p>\n<p>Will Anthony Roberts listen to the overwhelming public objections \u2013 or will he concur with his Cabinet colleague, and brush them aside? If you have concerns about the process, you can contact the Planning Minister <a href=\"https:\/\/www.nsw.gov.au\/your-government\/ministers\/minister-for-planning-minister-for-housing-and-special-minister-of-state\/\"><strong>here<\/strong><\/a>.<\/p>\n<h2><strong>Planning and consultation NSW style<\/strong><\/h2>\n<p>The issue sheds light on the way the NSW government is shutting its citizens out of crucial planning decisions. The consultation process is also a prime example of governmental double-speak. Bear with me while I relate my attempt to find out what is going on.<\/p>\n<p>On 22 January, with no evidence that submissions on the DA had been referred to the PAC, I sent the following questions to the Department of Planning media unit:<\/p>\n<ul>\n<li>\u201cHave the submissions been referred to the Planning and Assessment Commission?<\/li>\n<li>\u201cIf not, for what reason, and who is reviewing them?<\/li>\n<li>\u201cIs there a timeline for determination of the DA?\u201d<\/li>\n<\/ul>\n<p>A spokesperson for the Department replied the following day:<\/p>\n<p>\u201cThe Sydney Modern project\u2019s public exhibition received hundreds of submissions. The applicant will now prepare a Response to Submissions Report for the Department to consider along with the public submissions, as part of its assessment. The Minister for Planning and Housing is the consent authority and will determine the project.\u201d<\/p>\n<p>This was interesting, but not a direct answer. I asked further: \u201cSo the issue doesn&#8217;t go to the Planning and Assessment Commission? Can you tell me if State Significant Developments are exempt from that?\u201d<\/p>\n<p>In reply I was referred back to the Department of Planning website. Oh, what a tangled web that is! After a couple of hours perusing it, I was only marginally the wiser, so I asked the following:<\/p>\n<p>\u201c1) Under \u2018State Significant Development\u2019 the website clearly states that if the Department receives more than 25 public objections, \u2018the Department&#8217;s recommendation is referred to the independent Planning and Assessment Commission (PAC) for determination\u2019. But under the FAQs for the Sydney Modern\u00a0Project, it states: \u2018If there are more than 25 objections, a reportable political donation has been made, or the local council objects to the proposal, the application will be sent to the Minister for determination.\u2019 My question is therefore: Will the matter be referred to the PAC, or will it go solely to the Minister for determination on the grounds that it is exempt from referral to the PAC?<\/p>\n<p>\u201c2) Is there a timeline for the procedure you have outlined for responses to submissions from the applicant, and eventual determination of the DA?\u201d<\/p>\n<p>The answer: <strong>\u201c<\/strong><strong>As Sydney Modern is a public authority, the Minister for Planning and Housing is the consent authority and will determine the project.\u201d<\/strong><\/p>\n<p>Sydney Modern is of course not a public authority; it has as yet no legal status. Presumably the Department spokesman meant the Art Gallery of NSW, which is the applicant and is a statutory body under the Art Gallery Act of 1980. That Act, by the way, incorporating the Gallery as a Trust, stipulates that its principal objects are \u201c(a) to develop and maintain a collection of works of art; and (b) to propagate and increase knowledge and appreciation of art.\u201d Building grandiose palaces with harbour views is not listed as a principal object.<\/p>\n<p>But to return to how Minister Roberts comes to be the sole consent authority: it would take a team of lawyers to untangle the history of planning regulations, and I\u2019m no lawyer. What I\u2019ve gleaned from publicly available documents is this:<\/p>\n<div id=\"attachment_12719\" style=\"width: 492px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-12719\" loading=\"lazy\" class=\" wp-image-12719\" src=\"http:\/\/cultureheist.com.au\/wordpress\/wp-content\/uploads\/imgres-5.jpg\" alt=\"\" width=\"482\" height=\"361\" srcset=\"https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/imgres-5-200x150.jpg 200w, https:\/\/www.cultureheist.com.au\/wordpress\/wordpress\/wp-content\/uploads\/imgres-5.jpg 259w\" sizes=\"(max-width: 482px) 100vw, 482px\" \/><p id=\"caption-attachment-12719\" class=\"wp-caption-text\">Berejiklian and Baird &#8211; Premiers for developers<\/p><\/div>\n<p>Prior to 2011, successive Labor governments used Part 3A of the Environmental Planning and Assessment Act 1979 to exercise ministerial authority to push through favoured developments. As incoming Minister for Planning and Infrastructure in the incoming Coalition government, in 2011 Brad Hazzard made much of phasing out Part 3A. In the process, however, he revoked the delegation to the Planning and Assessment Commission of some of the Minister\u2019s functions, consolidating his power over what were deemed to be State Significant Developments (SSD).<\/p>\n<p>On 15 November last year the use of ministerial authority was further consolidated when Parliament passed further amendments to the Act, described by Minister Roberts as the most extensive changes to planning in four decades. The transitional Part 3A provisions are to be ended, and the PAC is to be renamed the Independent Planning Commission (IPC) <strong>without its previous review function. <\/strong>The IPC has yet to be constituted, but according to an information sheet issued by lawyers Clayton Utz, \u201cthe NSW Government expects that this will save 70 to 160 days for the State significant determination process on some projects\u201d. In other words, approvals can be rushed through.<\/p>\n<p><strong>This cannot be allowed to happen in the case of Sydney Modern. <\/strong>So what can be done? Here are some suggestions:<\/p>\n<ul>\n<li>Demand the <a href=\"https:\/\/www.nsw.gov.au\/your-government\/ministers\/minister-for-planning-minister-for-housing-and-special-minister-of-state\/\"><strong>Minister for Planning<\/strong><\/a> refers the DA for independent review by qualified professionals.<\/li>\n<li>Demand the <a href=\"https:\/\/www.nsw.gov.au\/your-government\/ministers\/minister-for-resources-minister-for-energy-and-utilities-minister-for-the-arts-and-vice-president-of-the-executive-council\/\"><strong>Minister for the Arts<\/strong><\/a> releases the business plan for Sydney Modern.<\/li>\n<li>Ask MPs to raise the above demands in Parliament.<\/li>\n<li>Call on Luke Foley\u2019s Labor Opposition to commit to halt the Sydney Modern Project if elected in March 2019, and to publish all the relevant documents.<\/li>\n<li>Forward the information in this blog to friends and contacts.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NSW Planning Minister Anthony Roberts is caught in the spotlight over the mysterious process to provide approval for the $344 million Sydney Modern Project. Roberts, a spear carrier for the Liberal Party\u2019s right-wing faction, will be the sole arbiter of whether the Development Application (DA) [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":12718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/posts\/12715"}],"collection":[{"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/comments?post=12715"}],"version-history":[{"count":3,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/posts\/12715\/revisions"}],"predecessor-version":[{"id":12722,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/posts\/12715\/revisions\/12722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/media\/12718"}],"wp:attachment":[{"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/media?parent=12715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/categories?post=12715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cultureheist.com.au\/wordpress\/wp-json\/wp\/v2\/tags?post=12715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}